1st Ever: Childbirth Education Spa Weekend at the Ellwanger Estate B&B August 30-September 1, 2013

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The Child­birth Edu­ca­tion Spa Week­end is designed to offer all ele­ment of Child­birth Edu­ca­tion pro­gram in a fun and excit­ing week­end get­away for­mat.  Dur­ing the course of the week­end, you will take Prepar­ing for Labor and Birth, Com­fort Breath­ing and Relax­ation, Baby care Skills, and Prepar­ing to Breast­feed.
  Classes taught by labor and deliv­ery RNs with over 15 yrs of expe­ri­ence.  Pam­per­ing is also included in the Spa Week­end.  You will stay in the Ell­wanger Estate B&B with full access to the Ell­wanger Gar­dens.  Included are break­fasts, lunch (on Sat­ur­day), after­noon snack, and evening dessert. Each per­son attend­ing will also receive one– hour mas­sage, atten­dance to morn­ing yoga, and evening mind­ful­ness ses­sion on Saturday.

When: Fri­day, August 30 to Sun­day, September1, 2013.  The Spa Week­end kicks off on Fri­day at 7:30pm

Cost: $495 (Per cou­ple) Plus room rate, which varies upon your selection.

 

Reg­is­tra­tion is required.  PLEASE !! ADD YOUR DUE DATE, YOUR COMPANION’S NAME AND YOUR PROVIDER’S NAME TO THE E MAIL.  Also, please let us know if you would like to sched­ule a  mas­sage (pre­na­tal for moms).

We strongly rec­om­mend that you take your classes 4– 8 weeks prior to your due date.  Please take the time to select this class date care­fully, for which you can com­mit prior to reg­is­tra­tion. NO RESCHEDULING 30 DAYS PRIOR TO CLASS DATE.

 

ONCE YOU HAVE REGISTERED, YOU WILL RECEIVE A CONFIRMATION EMAILPLEASE KEEP THIS LETTER IN ORDER TO REMEMBER WHAT TO BRING AND WHERE TO GO FOR THE CLASS.

Classes are lim­ited to max 5 couples.

For reg­is­tra­tion, See “PACKAGES” on the Ell­wanger Website

Hats off to Fathers

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If every­body could have a Father like mine!!  This is what he had  to say…

 

Crazy Choice Becomes a Dream

 

by George F. Janofsky

I thought my daugh­ter was crazy.

It wouldn’t be the first time. The first time was when she went motor­cy­cling with her boyfriend with­out a hel­met. Then vol­un­teer­ing at a hos­pi­tal and com­ing home late and then study­ing to all hours in the morn­ing. Then join­ing the Air National Guard as a teenager.

After grad­u­at­ing from D’Youville Col­lege with a degree in nurs­ing, Rose­mary was accepted at Meharry Med­ical Col­lege as the only white female in its mid­wifery pro­gram. On vis­it­ing her in Nashville, in a very tough neigh­bor­hood, she told me to shut and lock the car door as she went shop­ping, and when she returned she only said, “They all know me here.”

Or I could tell you about the time she vol­un­teered to go to the Gulf War as a flight nurse—as she said, to triage and pick up wounded on the battlefield.

But when she bought a decrepit 33-room man­sion in Rochester, I was sure that my daugh­ter had lost it.

Let me give you some back­ground. While she was in Nashville she bought a small home in Franklin, Tenn. She repaired it and put it on the National His­toric Reg­is­ter. I don’t mean to make it sound easy, and those of you in this field know it can be dif­fi­cult. Now after seven years she moved to Rochester to work at Rochester Gen­eral Hos­pi­tal. She asked my advice on a home adja­cent to the Erie Canal that she wished to buy. There was a red tag on the fur­nace (mean­ing it was unsafe to use). It needed a new roof and fea­tured a water­mark on the base­ment wall due to a past flood, rot­ting wood on the porch and a green­house made mostly of bro­ken glass lying all around. I was able to talk her out of this home—but, the future was just around the corner.

She did find a very nice home in the Brighton area of Rochester, but it too needed a lot of work. Once she’d made it into a show­piece (it was on the Rochester Tour of Homes), Rose­mary was ready to move on and asked me to look at a home she was inter­ested buying.

She excit­edly told me about the won­der­ful home she’s been eye­ing for years. As we drove into the gravel dri­ve­way I was greeted by a car­riage house, as she called it, but in real­ity it was a dilap­i­dated barn with bro­ken win­dows, rot­ted wood, a burned out roof, paint peel­ing or gone, and large barn doors which looked like they couldn’t even be opened.

Then we turned right, to view the main mon­stros­ity, a huge stucco build­ing with gut­ters falling down, eaves with holes in them, shin­gles off the roof, a tree which had fallen on the huge porch, and paint peel­ing and gone. I was sure the inside must be horrible.

Rose­mary said, “Dad, just wait until you see the beau­ti­ful inside.”

As we went through what is a 33-room man­sion, all I saw was work, dol­lars and more work. Two fur­naces and one boiler needed to be replaced, the elec­tri­cal wiring was unsafe, fix­tures needed replac­ing, wood­work and walls needed repairs, rugs needed to be removed, the doors didn’t close properly—and that was only the begin­ning. Nobody in their right mind would touch this dump.

When she told me she was buy­ing this I gasped in dis­be­lief. But she is my daugh­ter and she had a dream, and it is not for me to destroy a dream since I love her so much–even if she is a lit­tle crazy.

She bought it.

Remem­ber the old story of how do you eat an ele­phant? Bite by bite. Well, this was a dirty, filthy and sick old ele­phant of a house. New fur­naces came first. Then wiring. Then a com­plete new roof on the home and car­riage house. Money and more money. It is hard to tell just what came next. Paint­ing and plas­ter­ing, replac­ing the huge porch, work­ing on the trees, lawn, side­walk, fur­nace, plumb­ing, light fix­tures… you get the idea. I didn’t even men­tion the green­house and the car­riage house, which would take another page. She had guts to buy the heap–maybe not brains–but guts.

After about two years of work, Rose­mary found out that the Rochester Phil­har­monic Orches­tra selects a show house as a fundraiser every two years. Gutsy lady that she is, she applied and (hal­lelu­jah and amen) her home was selected. She moved out for three months as inte­rior dec­o­ra­tors came in and trans­formed the sick ele­phant of a house into a beau­ti­ful swan.

The cel­e­bra­tion and show­ing of the man­sion started with a din­ner at the Uni­ver­sity of Rochester with well-deserved acco­lades for all who worked on the man­sion. After din­ner all pro­ceeded to the now-beautiful swan. Over 100 peo­ple were greeted with a large tent, with a bar and a string quar­tet play­ing while seated on the large porch.

In a high­light of the evening, the con­duc­tor of the Phil­har­monic played the built-in organ on the land­ing of the home’s beau­ti­ful stair­case. The organ is an 1878 Hooks and Hast­ing pipe organ, only one of seven in existence.

That was last year. Now Rose­mary runs the man­sion as a bed and break­fast called the Ell­wanger Estate, after one of the first peo­ple to own the man­sion. The car­riage house is fixed up and looks like a child of the man­sion. Around the prop­erty are some of the works of Fletcher Steele; a beau­ti­ful wall and an exquis­ite staircase.

So you see this story does have a good end­ing. My daugh­ter, Rose­mary Janof­sky, inher­ited her good looks, intel­li­gence and for­ward think­ing from her mother, and the crazi­ness from me.

* * *

The Ell­wanger Estate is located at 625 Mt Hope Ave., Rochester. Infor­ma­tion is avail­able online at ellwangerestate.com.

 

At long last the King has arrived

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Not Elvis, Larry, Stephen, or Tut.  But Prana in the way of a king size mat­tress. It’s been four years in the mak­ing, with many cus­tomer requests, research, and cre­ative financing-the King arrives tomor­row.  Des­ti­na­tion?  The Wood­land Suites of course. The grand­est room of them all. So the queen must step aside.  But no wor­ries, she will have the newly dec­o­rated, ultra lav­ish Gar­den Room.  But that is another story, and will fol­low shortly. For now, sweet dreams.

Immersion” into Encaustic Painting at The Ellwanger Estate

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 ENCAUSTIC IMMERSION~~WITH CHARLIE CIALI~~ AUGUST 19–23, 2013

Expe­ri­ence an “Immer­sion” into Encaus­tic Paint­ing with Enkaustikos Cer­ti­fied and award win­ning Cal­i­for­nia artist, Char­lie Ciali. Let Charlie’s years of teach­ing expe­ri­ence help you develop and strengthen your knowl­edge of encaus­tic. Open to begin­ners and more expe­ri­enced painters, this five day work­shop will offer plenty of oppor­tu­nity to gain insights from work­ing closely with artists from all skill lev­els.  Held at the his­toric Ell­wanger Estate in Rochester, New York, from August 19th through the 23rd. All sup­plies are included, although par­tic­i­pants are encour­aged to bring mate­ri­als that they would like to work with.

Work in the his­toric car­riage house just steps away from the tran­quil set­ting of the  Land­mark Soci­ety gar­dens and quiet set­ting. Work­shop demon­stra­tion will begin in the morn­ing after a light break­fast and you may work as late into the evening as you wish. After a day of cre­at­ing fan­tas­tic art, relax on the stun­ning porch with lively con­ver­sa­tion among fel­low artists before retir­ing to your room.

Work­shop par­tic­i­pants must call for  accom­mo­da­tions at the Ell­wanger Estate (for 25% room dis­count on 4 plus nights) at 585–314-1793

For full infor­ma­tion, reg­is­tra­tion, and itin­er­ary contact:

Char­lie Ciali at charlieciali@gmail.com or 760–409-9496

or

Enkaustikos at info@encausticpaints.com or 585–263-6920

 

Ellwanger Luxury just notched up

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My long awaited Sferra linens have just arrived!  Lux­ury just notched up.  Now the rest of the story…

SFERRAAs the turn of the cen­tury approached, Gen­naro Sferra left Italy to visit the U.S., in hope of attract­ing a mar­ket for his intri­cate Venet­ian lace cuffs and col­lars.  He found his ideal clien­tele in the grand sea­side resorts that once dot­ted the East Coast from Maine to Palm Beach, and he trav­eled reg­u­larly to sell his goods.  In 1905, he opened Fac­tory 5007 San Severo, located in the shadow of the Rialto Bridge in Venice. And in 1912, Gen­naro moved his com­pany and his fam­ily to a shop on Fifth Avenue in New York. A gen­er­a­tion later, Gennaro?s two sons, Enrico and Albert, expanded their father’s col­lec­tion to include the most lux­u­ri­ous Euro­pean linens of the day from renowned dou­ble damask from Ire­land to Alen­ton laces from France to beau­ti­ful embroi­deries from Bel­gium and Switzerland.

SFERRA changed hands in 1977. With keen busi­ness savvy, Paul Hooker pur­chased the com­pany from the Sferra fam­ily. Under Paul’s pas­sion­ate stew­ard­ship and with the aid of great advance­ments in design and pro­duc­tion tech­nolo­gies, SFERRA has expe­ri­enced explo­sive growth in recent decades as global mar­kets have emerged, and has secured its right­ful posi­tion as a leader in the lux­ury linens indus­try. The secret of SFERRA’s endur­ing rep­u­ta­tion is con­sis­tently promi­nent today only the finest mate­ri­als are used in any­thing that car­ries the SFERRA name.

http://www.sferra.com/content/137/our-history.html